Prosumer with Tim Sweeney + Low Jack, Entro Senestre and Marcos Cabral

Thursday, April 21
10:00 pm


98 Meserole Ave, Brooklyn, New York 11222



Good Room presents…
Prosumer (Potion, OstGut Ton, Playhouse/Edinburgh)
+ Tim Sweeney (Beats In Space)

Bad Room
Low Jack (Modern Love, L.I.E.S. Records)
Entro Senestre (BANK, L.I.E.S, WT Records)
Marcos Cabral (L.I.E.S, The Trilogy Tapes, Creme Organization)

„The craze about the music…“
…the man called Prosumer is besotted with it. Since Achim Brandenburg heartily grabbed the microphone under this moniker in 2005 for Frankfurt’s then undisputed Label Playhouse, he showed that lasciviousness, a fever for Chicago’s Jack flavour and consciousness of tradition aren’t necessarily bound to a time and a place. Vision, passion and knowledge make Prosumer a guardian of house music history and one of the formative artists, influential DJs and important producers of our days.

While deriving his name from Alvin Toffler’s techno sci-fi-bible The Third Wave (producing and consuming at the same time), Prosumer lives up to his name. With more than a decade of Hard-Wax-Record-Store-enculturation on the clock (first in Saarbrucken, then Berlin), he spent countless nights in clubs, days looking for music and years refining his art and becoming in line with the “big three”. This is not a reference to Detroit’s car companies, but the city’s musical heritage that – together with the Big Apple and the Windy city – laid the foundation for techno and house builds with the Big Apple and the Windy City.
Prosumer oscillates between these poles.

That holds true for his productions, which are affected by references and historical vertexes, but never feel to be out of time or place. An album with Murat Tepeli and collaborations with Tama Sumo expand his discography for labels like the aforementioned Playhouse, Running Back or Swayzak’s 240 Volts. On the other hand – and that might be far more important – this is exemplary for his DJ work since the mid-nineties. Prosumer connects the tracks and songs of this music’s golden age with the worthwhile pieces and developments of today. Accordingly to that special feeling which is so hard to couch, he gets engaged in it from tip to toe – and so does his audience. Proved by his mission as one of the residents in Berlin’s influential club institution, on his official mix CD for that place that describes his spectrum of sound perfectly and by this certain magic that travels with and in him everywhere.

Tim Sweeney
Every Tuesday night at 10:30pm, anybody within radius of WNYU’s transmitter can tune into 89.1 FM for this dance music show hosted by the DJ Tim Sweeney. Tim has had the show since he was a college student—so 15 years now. And while he’d bristle at the idea of himself being a “renowned DJ” (he is) or even an “in-demand DJ” (ditto), I’ll say that if you love dance music, few things are better than Tim’s show. You can also listen online afterwards. But especially when I listen live, it feels a lot like eavesdropping. Special guests drop in to play records (Prosumer, Seth Troxler), regulars swing by and heckle (Juan Maclean, Doug Lee), and at least one recurring caller, a temperamental man named Victor from Washington Heights, weighs in with praise and less-than-praise. This is as close as you can get to a clubhouse — the sound and soundtrack of friends playing new songs for each other, talking about music, razzing each other for things you can’t quite understand.

Then there’s Beats In Space Records. Between Tim traveling the world and the world traveling to Tim, he finds great tunes that would otherwise slip by the rest of us. After A Laughing Light of Plenty’s beardo-disco stomp “The Rose”, Tim approached the group’s Eddie Ruscha with a simple question: Is there anything else? That’s how Secret Circuit came to be— killer psych techno disco pop, which is a neat enough summation of Tim’s tastes too. Since then BIS has released gritty schaffel (Gonno’s “Are You Asleep”), spartan house (Jee Day’s “Sum Of Love”), and soft-focus noir-pop (Paradis’s “Hemisphere”).

Low Jack
What used to be called industrial music by those on the radical fringes of ’80s post-punk is surfacing again in the techno sphere and beyond. French producer Low Jack (aka Philippe Hallais) – who has been praised by some of today’s most prominent labels – now seizes control over this rich heritage. His goal is not to take it back to basics and produce something you’ve already heard, but to take classic industrial aesthetics to the next level, extending the trance experience using raw, sharp and rough sounds.

Tickets – $10 first release / $15 second release / $20 at the door
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Doors – 10pm / +21 gig