Articles tagged with disco edit

You Can’t Hide Your Love Away from Me (B.G. Baarregaard edit)

January 24

Man, two newsletters aside, we’ve been all quiet on the music front here at YDH2S. I was listening to this killer edit by Iceland’s B.G. Baarregaard (you can tell he RREAALLY loves double letters) and I decided it had been too long. David Joseph’s original was already a boogie monster, but Baarregaard gives it a stuttery new intro for mixing delights and plumps up the rattly percussion until you’ll want to start every party with this tune.

This edit is the tip of the iceberg for B.G. Baarregaard, go check out his Soundcloud for much more. The David Joseph edit is a free download, as are many others. I particularly recommend his original “Feels Like,” which has one of the funkiest basslines I’ve heard in a minute.

/// Brian Blackout

Little Scotty – Shout at the Disco (Chewy Rub)

January 10

Little Scotty – Shout at the Disco (Chewy Rub)

This tune has been burning up my car stereo, head phones, computer speakers and you name it the last couple months. I’m not sure exactly what it is. It could be the raw, rubbery swamp groove this song brings. It could be Little Scotty’s constantly insisting that we need to put on our prettiest dresses and clothes and shout and party at the disco. It could be the inordinate amount of time I spent South of the Mason-Dixon line over the last 2 months. Either way, Chewy really knocked it out of the park with this disco edit, but he(?) has way more up his sleeves than this jam, so check out his Soundcloud for the DL for this and many others.

/// Brian Blackout

Elton John – Victim Of Love (Super Fuzz 3000 Edit)

January 2

Elton John – Victim Of Love (Super Fuzz 3000 Edit)

Been a bit busy of late, and I know I most recently resurfaced to post a Super Fuzz 3000 edit, but when this one popped onto my radar I couldn’t resist talking about it. I’m definitely a fan of Elton John, and something of a superfan of the works of Giorgio Moroder. What if I told you that Moroder’s right hand man Pete Bellotte had done an album in 1979 with Elton John? What if I mentioned that Michael McDonald had kicked in some backing vocals? Sounds great right? No.

The truth is that Elton’s Victim of Love is a mess, cheesy in a bad way, mostly sounding like Elton covering a bunch of songs Donna Summer rejected. However, its title track is definitely a highlight, a fact that did not escape Super Fuzz 3000. He(?) manages to carve most of the fat off of the original, and the result is a surprisingly lean cosmic disco journey, punctuated with the odd bit of Elton singing. It’s great for some late night excursions. You can grab it for free off of Super Fuzz 3000’s Soundcloud.

/// Brian Blackout

Madonna – Think of Me (Super Fuzz 3000 edit)

November 8

Madonna – Think of Me (Super Fuzz 3000 edit)

If you delve into Madonna’s eponymous debut (going way back to ‘83) there’s a handful of surprisingly good boogie-sounding tracks that you’d never guess were sung by the Material Girl. Mr. Super Fuzz 3000 (at least, we assume he’s a he, or maybe a they, I’m stereotyping disco nerds here a bit) has taken a nice shine to one such track, Think of Me. The edit rides on the substantial grooves of Maz’s original (indeed she’s even credited with writing this one) and the results are way hotter than they have any right to be. Grab the free download on Super Fuzz 3000’s Soundcloud page along with many other excellent edits.

/// Brian Blackout

Gene Chandler – “When You’re No. 1 (Magnetic Soul Edit)”

October 16

Gene Chandler – “When You’re No. 1 (Magnetic Soul Edit)”

Magnetic Soul is someone I wish I’d come across sooner, given the trove of great boogie and disco he’s got going on his Soundcloud page. This edit of a disco-era tune by Gene Chandler (of “Duke of Earl” fame, no less) is just one shining example of the London-based DJ’s savvy with the digital razor and tape- splicing, looping, cutting and extending classics to elevate anticipation and maximize the danciness. Give this track a like on his Facebook page and you can grab it for free.

– Spoolwork

“Heaven of My Life” (Tony Johns & Dynamicron edit) – Change

October 11

“Heaven of My Life” (Tony Johns & Dynamicron edit) – Change

It’s my almost my anniversary with my boo so I’m a little more predisposed to songs about apples of one’s eye, angels of one’s heart, loves that one needs and, most importantly, heavens of one’s life. I’ve previously espoused of my love of Tony Johns‘ disco edits, a couple months ago I posted an edit he did of Cybotron’s Clear that was particularly awesome. Recently he teamed up with Spain’s purveyor of killer rock edits, Dynamicron, for this tasty tasty edit of Change’s italo boogie joyride “Heaven of My Life.” I’ve heard quite a few Change edits in my day but never this particular selection. In its original form the track is a great late night driving music that you can kinda boogie to, but the duo has added a goldilocks amount of oomph, bringing it up to the caliber of a lovely floor filler. Go find many more goodies on Tony Johns‘ and Dynamicron‘s respective pages on Soundcloud, they believe in free love or at least plenty of free downloads, so god bless ’em.

/// Brian Blackout

John Davis and the Monster Orchestra – “Up Jumped the Devil (6th Borough Project Jumped Up Jam)”

September 11

John Davis and the Monster Orchestra – “Up Jumped the Devil (6th Borough Project Jumped Up Jam)”

Dance music is based on repetition, of course, but it takes a special talent to use that repetition in a way that builds anticipation, keeping us excited and dancing instead of getting bored and walking off the floor. Case in point is this extended edit of John Davis and the Monster Orchestra’s “Up Jumped the Devil” by UK DJ The Revenge. The original, released in ’77 on indie-disco label SAM records, brings the heat right from the get-go, but in The Revenge’s hands, the track morphs into a slow burner, adding elements one at a time- guitar, bass, guitar, a little vocal, some brass, til the kick drum drops around 2:40 and things really start to shake. Bongo breaks and looping saxophones enter later, just more fuel for the fire, til 8 plus minutes have gone by and it feels like we’re just getting started.

– Spoolwork

Bobby Caldwell – You Belong To Me (Jolly Mare Twisted Edit)

August 31

I haven’t posted a good edit in a hot minute, and this one is fantastic. I’m not that familiar with the editor in question, Jolly Mare, but whoever it is, they call Italy home. This mix is a hot and heavy boogie groover, full of a lot of loops, and it’s gratuitous in laying on the killer vocals from Bobby Caldwell’s original thick. Spectacular results. Grab a free download too.

/// Brian Blackout

July 19

Clear (Tony Johns edit) – Cybotron

Englishman Tony Johns has been putting out some killer edits lately, and this is one of my faves. He takes Cybotron’s Detroit anthem “Clear,” and throws some rumbling latin percussion under it. It might sound kind of crazy but it sounds like a perfect match for mid 80s early electronic music. Can’t wait to unleash this one on the floor.

While we’re at it, here’s another Tony Johns edit, this one of Frankie Goes to Hollywood’s “Rage Hard,” a fun little late 80s romp hovering somewhere between new wave and early house. Johns has a lot of fun looping pieces of the track in silly ways, it’s a lot of nerdy fun.

Check out Tony Johns’ Soundcloud for more tasty edits

June 28

Baby Come on (the Noodleman rework) – Sex o’Clock USA

The Noodleman has been churning out chugging, dubby takes on disco for some time now, and as a new 12” of his re-edits gets unleashed to vinyl, I thought it a good time to introduce y’all to my favorite edit of his, and one of my favorite tricks to get a dancefloor good and hot. It’s a slippery, dubby take on Mort Shuman’s “Baby Come on,” from the French “documentary” Sex o’Clock USA. Strings careen seductively, the drums pulse a slow yet pounding swagger, all while singers implore you to “…give it your lovin’ daddy.” Daddy likes.

And that’s just a taste, after you grab the download from his Soundcloud, rush to pick up Mr. Noodleman’s new 12” EP, Dub Sauce, and you’ll find the same smoking hot grooves, perfect for Summer listening. Lots of early buzz about groover “Sloppy Angel,” but I’m partial to his take on PM Dawn’s “I’d Die Without You,” straight off the Boomerang soundtrack, complete with an Enya-riffic breakdown and chock full of that early 90’s piano noodling you’ll know and love.

/// Brian Blackout

Ten City – "That’s the Way Love Is" (EeeTee edit)

June 14

Last week we had a guest posting by Eugene Tambourine, and this week I’m pleased to say he’ll be writing regularly for us beginning next Monday. I met Eugene when we were neighbors 5 years ago, and we bonded over a mutual love of Vicky D. Eugene has more edits than an iPod could ever hold in his archives, but he shares a lot of them with the world on his Soundcloud.

Ten City’s “That’s the Way Love Is,” a top 10 hit in the UK that never had the same popularity in the states, has been a favorite of mine ever since Eugene shared it with me. It evokes moods often left behind on the dancefloor. Regret. Remorse. Wistfulness. Emotional acceptance. Eugene’s edit stretches out all the right parts and tucks aside the track’s weaknesses. Without resorting to a 10 minute mammoth edit, it succinctly elevates the original to higher heights of feeling.

Ten City – That’s the Way Love Is (EeeTee edit)

P.S. I once saw Jens Lekman covering this tune live, and you can see him do the cover (and segueing into Sipping on the Sweet Nectar) on Youtube, you’ll get some serious goosebumps. Here’s to hoping he records it someday.

/// Brian Blackout

Guest Post: Eugene Tambourine

June 4

This week we’re featuring a special guest post by our friend, edit maven Eugene Tambourine.

Log onto SoundCloud and it appears that everyone’s been kung-fu fighting with pre-recorded music these days. It’s no secret that I’m part of the horde. However, my editing experience has helped me navigate that DIY paradise we all know and love. Here are some all-time favorites of mine:

I love how the UK’s Dancin’ Room Only keep the atmospheric parts peaking in the beginning of the tune before the familiar theme begins. The loops are positively housey with just the right amount of effects. This gem has been lurking behind the ‘cloud for the past 2 years.

Combolito’s take on Donald Byrd’s “Love Has Come Around” has the prolific Swede adding a host of extra synths, percussion and rhythm tracks to that plodding piano groove we all know and love. Overdubs can make or break an edit, but the result here is exhilarating. Sadly, the original’s swirling bridge is gone, but the new additions make up for it.

Eugene Tambourine

May 24

01-Diamonds-on-the-Soles-of-Her-Shoes-Todd-Terje-edit

Diamonds on the Soles of Her Shoes (Todd Terje edit) – Paul Simon

Over this past week I’ve been in South Carolina enjoying the beach, and last night my girlfriend and I were discussing Paul Simon’s Graceland, which led me to bring up this stunner of a Todd Terje edit. Todd Terje (aka the Terjelator) has recently become more known for his own excellent nu disco productions like Inspector Norse, which is shaping up to be the big Summer jam of 2012. But, he came onto a lot of radars as a master of balearic edits like this one. Songs that feel just right being played on a beach in the light of day. Songs that make you smile and want to hug everyone, or maybe watch Captain Ron or the Lion King

Originally released in ‘06, this edit, which Terje entitled “Diamonds Dub,” is among his best. Rather than trying to fill a dancefloor or improve the original, Terje has a fun, dubby take on this tune. The unassuming African polyrhythms of the original are brightened up a bit and brought to the fore. The slippery fretless bass takes a few moments to wiggle in the spotlight as well. Simon’s voice, liked the rest of the edit, is wrapped in a cocoon of a reverb. It’s as if during a performance, he’s running around the audience dancing with them as his band plays, before running back on stage to sing a couple lines. Find your local or not so local beach and some headphones and see if you don’t agree that this is sublime.

I’m sure the original Tangoterje vinyl is out of print. You can (and should) easily buy a copy of Graceland. Additionally you can try looking here for the edit.

/// Brian Blackout

May 14

When I think of sexy sounding music, The Gossip is often the last thing that pops into my head. Usually when I think of The Gossip, the first thing that pops into my head is an image of Beth Ditto squeezing packets of condiments into her mouth while giggling on a couch somewhere with Perez Hilton, or just generally being the loudest, craziest lady within 20 square miles.

But this song, as remixed by Rory Phillips, is absolutely sexy. Beth Ditto drops the Godzilla-like musical destruction in favor of some paired down vocals that don’t sound out of place on a Coney Island boardwalk clad with disco rollerskaters in the 1970s.

Do yourself a little favor this Monday and time travel – just a little bit.

– Mister Disco

April 26

I’ve had a long and torrid love affair with italo disco. From trying to figure out where Felix da Housecat and Metro Area got their inspirations to trying to ask Tuscan record merchants if they had anything from the 80s in broken Italian, I’ve long sought to know its once mysterious ways. 2012 finds a great deal of italo floating around, freely grabbable on the information superhighway, and great swathes of soundcloud dedicated to italo edits.

Raf’s “Self Control” was one of the first italo songs I heard, and still one of my favorites. Famously covered by Laura Branigan and turned into a top 10 single here in the US in 1984, it’s an easy in to italo disco for most casual fans. It even had one of the kitschiest videos of the italo era. Italian whiz Bottin (of Nang and Italians Do It Better fame) has gotten his dirty paws on the track and tickled the beast into a fiercer dancefloor creature, writhing through silky waves of synthesizer, propelled by skeletal snare hits. Bottin steals the best bits of the extended cut of the song while lopping off the bizarrely cheesy rap found in that version.

Bottin popped on my radar this week already, before I stumbled upon this excellent edit. His recently produced cover of LCD Soundsystem’s You Wanted a Hit, entirely in Italian and the style of italo, is one of the best things I’ve heard in ages. Go check out his soundcloud for more goodness, grab a download of this Self Control edit, and then pick up “Volevi una Hit” when it comes out on vinyl in early May.

/// Brian Blackout

April 12

Orlando’s Sleazy McQueen is one of my favorite edit heads operating on Soundcloud. This week he took on a classic, Idris Muhammad’s sublime “Could Heaven Ever Be Like This,” and the results are quite lovely.

The original is one of those songs that’s perfect for the world of disco edits and re-imagining, clocking in at nearly 9 minutes with heaps of beautiful but un-danceable portions framed by moments of pure bliss. Sleazy isn’t the first to tackle the song, Leftside Wobble produced a meatier edit recently and Stars on 33 re-envisioned the song as a French house anthem a few years back.

Sleazy McQueen succeeds to me because he lets the original work its own magic without artificially peaking or pinching the track too much. His main contribution is a little extra disco stomp, with a few subtle effects thrown in for good measure. This one isn’t a free download, but he’s got more disco edits than you can shake a stick at on his Soundcloud and almost all have a DL.

// Brian Blackout

March 29

As the weather gets increasingly springy, I dig deep into my Winter music finds and try to find those tracks that had too much of a warm weather feel to be played when I got ‘em. It’s like Spring cleaning. This track is exactly the reason why I go to all this trouble.

Slow It Down, straight outta Glasgow, released this jam to the world last Fall, but as all of our little green pals start unfurling and popping out of the ground, it’s only now that this cut feels right. Similar to Tiger & Woods, Slow It Down specialize in loopy, proto-house edits of 80s R&B and boogie tracks.

Coming at us from the era when Michael, Whitney, and the Jets ruled the airwaves, and possessing that same happy glow that Janet Jackson’s “Escapade” has, Narada Michael Walden’s “Divine Emotions” melds that irrepressible feel good vibe to a throwback boogie bassline. Slow It Down works the grooves of the extended cut for a while before letting a few happy chords to work their way in and finally lets loose with the song’s chorus about midway in. Grab the free download, follow Slow It Down on Soundcloud and pick up the original, within minutes, everyone you know will be telling you to wipe that stupid grin off your face.

/// Brian Blackout

March 21

Back from SxSW, I could write endlessly about how stellar Airbird‘s first show was, how Chad Valley caused a mini dance party to erupt, or how Mike Simonetti dropped that great Trentemøller bootleg of Springsteen’s State Trooper. But, though I saw many excellent shows and DJs, it’s been covered to death.

It was shorts weather in Tejas, but here in Brooklyn it’s still sunny days and crisp nights, the promise of Summer merely peeking out coyly from behind the clouds. Spring is a time for infatuation too, and Lindsey Buckingham is in Trouble. Not trouble, Trouble. As in, Lady Trouble.

The Fleetwood Mac frontdude recorded this shimmering ode to pitter pattering hearts and warm embraces in 1981. I was 3 years old when this hit the airwaves so I don’t really remember it, but Prince Language gave it a loving dust off for one of the sublime Editions Disco series. The folks at Future Classic have uploaded this out of print beauty so that you can hear it, but you can find the original easily, and it’s almost as lovely.

// Brian Blackout

March 1

The year is 1979, a group of mustachioed brothers endeavor to produce a sinister beast of a disco tune, rippling with arpeggiated synthesizers, slashed with dazzling strings, entitled “I, I, I.” Who are these elusive brothers? The answer: the Osmonds.

Yep, those Osmonds. No Marie, just a lot of Donnie and his bros. Anyway, cut to 2012. In this era of horns of plenty spilling disco edits out into the digital ether, this track has been touched by a few, most notably that Norwegian lord of the edit, Todd Terje. Now, Musica Hermosa, British bloggers of repute and no strangers to the world of edits themselves, have torn this track to pieces and worked it til there’s no tomorrow.

A thick, housey rhythm foundation chugs, reverberating surfers wax poetic on getting high, and then in steps Mr. String Section. Hello, Mr. String Section! I see you’ve brought your friend Donnie and his brothers. Why don’t you play a tune for us? Download, put this one on repeat and get ready to proselytize to your friends on the good works of Donnie while your Jag purrs through the moonlit mean streets of Utah.

/// Brian Blackout